Hurt by the word
First came the cry, then silence; the trace, then the form; the vision, then the word. This is a space for the interaction of image and text, word and form, contemporary art and graphic design. Here we use words as images, and images as words in the era of visual culture. You can either read them or watch them. Everything is in the interstices.
By Manu Martínez
Hurt by the word
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weissesrauschen:

ADAM McEWEN
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magictime:

(via Alex Da Corte)
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weissesrauschen:

Superflex at Kunsthal Charlottenborg
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contemporaryobsessions:

Dennis Adams. In the red. Pasolini. 2013. Moisés Pérez de Albéniz Gallery. Spain
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kiameku:

Ruben Aubrecht untitled  2013 oil pastels on paper 29.7 x 41.6 cm in collaboration with Maria Anwander
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anti-anti-anti-art:

Franck Scurti, I Rent This Place, Polyester Resin, 2006.
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arrowwws:

FUBU Career CAPTCHA, 2013Daniel Kellermulticolor 3d print
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svamla:

Christopher AqueHand in Glove, 2012factory-sealed copy of The Smiths’ debut single on chromogenic print of Margaret Walters, The Nude Male, New York: Paddington Press, 1978, pg. 312 in artist’s frame12 x 9 inches
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wearenapoleon:

works by gilles de brock,
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etudes-studio:

TRUE REAL
Études V . aw 2014
Paris Fashion week . January 2014
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exasperated-viewer-on-air:

Christopher Aque - Rock, 2012
concrete, paper bag
14 x 18 x 10 inches
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weissesrauschen:

Taraneh Hemami by arts.commission on Flickr.
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visual-poetry:

»why do we do the things we do« by rose nolan (+)
(via)
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Aurélien Arbet - Jérémie Egry
"Only Air"
 27,5 x 40 in (70 x 100 cm) Digital print and sport shoes 2011
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carre-blanc:

Jeremy Egry, “Rendezvous” (2013).